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music-barnesandnoble-com-the-red-headed-stranger-carla-bozulich-e-655035400129-2010-03-11

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Skip to main contentSkip to primary navigationSkip to secondary navigation Barnes & Noble.com Fast & Free Delivery * My Account * Sign in * My B&N * B&N Studio * B&N Review * Book Clubs * Stores & Events Order Status * Wish List * Help * * Cart(0 items)Checkout * * Books * Textbooks * eBooks * NEW nook * Kids * Toys & Games * DVD & Blu-ray * Music * Home & Gift * Gift Cards * More Skip Toys, Office and More Menu Used & Out of Print Books Magazines Posters Video Games Calendars B&N Membership B&N MasterCard B&N Mobile Gift Cards Gift Reminders * Browse Music * Bestsellers * New Releases * Coming Soon * Discover New Music * Classical Store * Box Sets * Music Deals Screen Reader Link for Category Search * Search: * B&N Membership * _____________________ * B&N Membership * [___________________] * * B&N MasterCard * [ GO ] * B&N MasterCard * Advanced Search IFrame false Home Music * Screen Reader Link for Tell a FriendE-mail a Friend * Print This Page The Red Headed StrangerCarla Bozulich: CD Cover * * Listen to Samples The Red Headed Stranger Carla Bozulich BUY THIS ITEM * Join Now * This item is currently out of stock. * Add To List uiAction=GetAllLists&page=List&pageType=list&ean=655035400129&productCode=MU&maxCount=100&threshold=3 CD * Release Date: 09/23/2003 * Label: DICRISTINA STAIR * UPC: 655035400129 Listener Rating: See All Detailed Ratings * Write a Review * Overview * Tracks * Editorial Reviews * Details & Credits Track List Click on LISTEN or link to hear an audio clip. To listen to samples you'll need a Windows Media Player The Red Headed Stranger 1 LISTENTime of the Preacher 2:56 2 LISTENI Couldn't Believe It Was True 2:26 3 LISTENMedley: Time of the Preacher/Blue Rock Montana/Red Headed Stranger 6:42 4 LISTENBlue Eyes Crying in the Rain 3:35 5 LISTENRed Headed Stranger 10:47 6 LISTENTime of the Preacher Theme 0:32 7 LISTENJust as I Am 5:34 8 LISTENDenver/O'er the Waves 4:06 9 LISTENDown Yonder 1:16 10 LISTENCan I Sleep in Your Arms? 4:22 11 LISTENRemember Me 6:29 12 LISTENHands on the Wheel 3:59 13 LISTENBandera 4:05 About this Artist * Biography Editorial Reviews Carla Bozulich, former frontwoman of both Ethyl Meatplow and the Geraldine Fibbers does Willie Nelson? You bet your ass she does, and Nelson digs it. Just ask him -- he plays guitar on three tracks, and duets with Bozulich on a pair of tunes. Musically, Bozulich does a very faithful, if expressionist, reading of Nelson's bona fide classic concept album. His trademark nylon string picking on "Tome Of The Preacher" offers an aural view of just how faithful her reading is. But Bozulich has gone one further, too, recording the album as if it were written in the current day rather than in the 1970s: the dramatic soundscapes, aural textures, and subtle dissonances add a cinematic dimension to the text, making it reflect out from itself rather than be reiterated as a single person narrative. Nelson's version was large in scope because it was so insular, and Bozulich's is so intimate as to be nearly suffocating, because its vision is wider. With the help of Nelson, Nels Cline, Scott Amendola, Devin Hoff, Jenny Scheinman, her sister Leah, and others, Bozulich brings the notion of folk's "New Weird America" to the populace. There is an organic death to these songs as articulated in this way: just check the mournful droning tempo on the medley of "Time of the Preacher" with "Blue Rock, Montana," and the "Red Headed Stranger" theme. Guitars wind out minimally in maximal space. Her voice intones out over a desolate aural desert with the mournful weight of grief and history in its grain. Elsewhere, on Hank Cochran's "Can I Sleep In Your Arms" with Nelson, the pair bring a genuine amorous ache to the fore that transcends all genres of popular music. Likewise on the following cut, T. Texas Tyler's "Remember Me," sounds like Billie Holiday being channeled by Marlene Dietrich as Bozulich responds to Cline's gloriously narcotic jazz guitar intro, allowing the grief of love's loss to inhabit her spirit wholly. Nelson is back in true duet fashion on "Hands On the Wheel," and it as pretty as a soft, drunken love song can be as it takes the original narrative and turns it inside out ,and still comes up with something truly amorous, truly beautiful, and truly fragile. The album closes with Nelson's "Bandera," a haunting, wide-open country song that allows in its modality all sorts of room for improvisation, and the beginning of it is just that, before it becomes anchored in West Texas melodies as interpreted through Laurel Canyon's syntax. Bozulich has really accomplished something here, taking a classic work of true Americana and making it her own, no less mythological, no less transcendent, and yet ultimately something wholly new and embracing. Bozulich understands implicitly: legend is for extrapolation, and ultimately for re-visioning in a new place and time. As downtrodden and spiritually haunting as its predecessor, this new Red Headed Stranger is vital and necessary, a work of new Americana -- not the radio format, but the mythos itself. Thom Jurek, All Music Guide Customer Reviews * Listener Rating: * * Be the first to write a review! Track List Click on LISTEN or link to hear an audio clip. To listen to samples you'll need a Windows Media Player The Red Headed Stranger 1 LISTENTime of the Preacher 2:56 2 LISTENI Couldn't Believe It Was True 2:26 3 LISTENMedley: Time of the Preacher/Blue Rock Montana/Red Headed Stranger 6:42 4 LISTENBlue Eyes Crying in the Rain 3:35 5 LISTENRed Headed Stranger 10:47 6 LISTENTime of the Preacher Theme 0:32 7 LISTENJust as I Am 5:34 8 LISTENDenver/O'er the Waves 4:06 9 LISTENDown Yonder 1:16 10 LISTENCan I Sleep in Your Arms? 4:22 11 LISTENRemember Me 6:29 12 LISTENHands on the Wheel 3:59 13 LISTENBandera 4:05 All Music Guide Carla Bozulich, former frontwoman of both Ethyl Meatplow and the Geraldine Fibbers does Willie Nelson? You bet your ass she does, and Nelson digs it. Just ask him -- he plays guitar on three tracks, and duets with Bozulich on a pair of tunes. Musically, Bozulich does a very faithful, if expressionist, reading of Nelson's bona fide classic concept album. His trademark nylon string picking on "Tome Of The Preacher" offers an aural view of just how faithful her reading is. But Bozulich has gone one further, too, recording the album as if it were written in the current day rather than in the 1970s: the dramatic soundscapes, aural textures, and subtle dissonances add a cinematic dimension to the text, making it reflect out from itself rather than be reiterated as a single person narrative. Nelson's version was large in scope because it was so insular, and Bozulich's is so intimate as to be nearly suffocating, because its vision is wider. With the help of Nelson, Nels Cline, Scott Amendola, Devin Hoff, Jenny Scheinman, her sister Leah, and others, Bozulich brings the notion of folk's "New Weird America" to the populace. There is an organic death to these songs as articulated in this way: just check the mournful droning tempo on the medley of "Time of the Preacher" with "Blue Rock, Montana," and the "Red Headed Stranger" theme. Guitars wind out minimally in maximal space. Her voice intones out over a desolate aural desert with the mournful weight of grief and history in its grain. Elsewhere, on Hank Cochran's "Can I Sleep In Your Arms" with Nelson, the pair bring a genuine amorous ache to the fore that transcends all genres of popular music. Likewise on the following cut, T. Texas Tyler's "Remember Me," sounds like Billie Holiday being channeled by Marlene Dietrich as Bozulich responds to Cline's gloriously narcotic jazz guitar intro, allowing the grief of love's loss to inhabit her spirit wholly. Nelson is back in true duet fashion on "Hands On the Wheel," and it as pretty as a soft, drunken love song can be as it takes the original narrative and turns it inside out ,and still comes up with something truly amorous, truly beautiful, and truly fragile. The album closes with Nelson's "Bandera," a haunting, wide-open country song that allows in its modality all sorts of room for improvisation, and the beginning of it is just that, before it becomes anchored in West Texas melodies as interpreted through Laurel Canyon's syntax. Bozulich has really accomplished something here, taking a classic work of true Americana and making it her own, no less mythological, no less transcendent, and yet ultimately something wholly new and embracing. Bozulich understands implicitly: legend is for extrapolation, and ultimately for re-visioning in a new place and time. As downtrodden and spiritually haunting as its predecessor, this new Red Headed Stranger is vital and necessary, a work of new Americana -- not the radio format, but the mythos itself. Thom Jurek Product Details * Format: CD * Release Date: 09/23/2003 * Label: DICRISTINA STAIR * Catalog No.: 1 * UPC: 655035400129 Album Credits Performance Credits Carla Bozulich Primary Artist, Autoharp, Vocals, Guitar (Nylon String) Willie Nelson Vocals, Guitar (Nylon String) Nels Cline Electric Guitar, Lap Steel Guitar, Guitar (Nylon String) Scott Amendola Percussion, Drums, Mbira Jenny Scheinman Violin, Vocal Harmony Technical Credits Scott Fraser Engineer Larry Greenhill Engineer Related EssentiaListsuiAction=GetRelatedListsByEanFromProductPage&page=List&pageType=list&ean=655035400129&productCode=MU&maxCount=5&threshold=10 loading animation loading... Fans of this CDuiAction=GetProfileBlurbsWithEANinFavorites&page=UserProfile&pageType=profile&eanInput=655035400129 loading animation loading... More by This Artist loading animation loading... Worked With loading animation loading... 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